The Kurdish Textile Museum in Irbil has launched a new program aimed at
creating job opportunities for women, while reviving traditional
Kurdish weaving skills. VOA's Suzanne Presto in Irbil attended the
opening ceremony for the program that gives elderly tribal weavers the
chance to teach their skills to younger women and create textiles to
Shiler Hamadamin Aziz passes the yarn between the loom's
threads with ease, her feet working the wooden pedals. She is making
what appears to be a shawl, and it lengthens millimeter by millimeter
with each pass. The 28-year-old Kurdish woman looks as if she has been
doing this for years.
But Aziz has only been at this for two
weeks, under the attentive eye of Zara Qadir Hussein, a Kurdish woman
who has been making traditional textiles for more than 30 years.
is one of 16 young weavers participating in the Women's Income
Generation Training Project at the Kurdish Textile Museum in Irbil's
The program was conceived by Lolan Cipan, the museum's
founder and director. Cipan's passion for Kurdish textiles began when
he was child, watching his grandmother as she would weave rugs.
have been working to revive Kurdish handicrafts, particularly textiles,
for many, many years," said Cipan. "So, I have these nomadic old women,
they have been working for me for many years at their homes. And I
thought because they are very old and they get sick very often, so I
thought to bring them here to Citadel and to transfer the weaving
skills to younger generations."
He says the goal of the
project is two-fold, to give women income-generating opportunities
while reviving traditional Kurdish weaving. Cipan says the art of
textile making is vanishing from Kurdistan, and master weavers are
difficult to find.
"Actually, very very few. You can say it has totally died out now," he said.
project is being funded by the United States Embassy through the
Regional Reconstruction Team in Irbil, which gave almost $80,000 to the
program. Cipan says that money will provide salaries for the novices
and the experts through the end of this year.
said, the goal is for program to become self-sustaining with the
revenue generated from selling the finished carpets, blankets, and
woolen socks and hats in the Textile Museum's gift shop.
U.S. Regional Coordinator, Jess Baily, says insecurity and Saddam
Hussein's ethnic cleansing campaign known as Anfal, played a major role
in the demise of weaving.
"Sadly, the decades of civil strife
and Anfal in the region have uprooted much of this tradition, destroyed
the economic basis for it, and left it, if you will, down to a
dwindling few who know how to weave and carry on the crafts of their
ancestors," said Baily.
Baily added that similar programs that
preserve culture and provide income to women from non-urban areas have
been successful in neighboring countries.
Nazhad Hadi, said from an economic standpoint this project will not
generate a lot of money. But he emphasized that from a cultural
standpoint, the project is an excellent step toward reviving Kurdish
But in Cipan's efforts to revive traditional weaving, he encountered some cultural traditions that hampered his efforts.
of the families, they would not allow their daughters or mothers to go
to weave in a public place," he said. "So, now I see them, and they are
very happy and they work."
New weaver Aziz says she is very
happy at work. She says she was drawn to weaving at the massive wooden
loom only because she liked the brightly colored yarns her teacher,
Hussein, had skillfully strung out. But now the pretty brunette in her
deep-red Kurdish dress says weaving is a skill and tradition she can
see herself carrying on for a long time to come.
Aziz says she finds satisfaction in carrying on her history while learning a marketable skill.
Hussein says it is a skill that has been, and must be, passed down through the generations.
as an expert who has been weaving alongside her husband for decades,
who also passed that skill on to her own two children, Hussein says it
is a skill that will always be in demand.
So the two women
return to their centuries' old work. Aziz goes back to her loom as
Hussein spins and twirls a red spool of yarn until it is fine enough to
be woven into Aziz's piece.