For Kay Ryan, Poetry Is 'the Most Private Form of Communication'
A report on the new poet laureate of the U.S. A question from Yemen about Emily Dickinson. And poetry set to music, on a new album from France's first lady, Carla Bruni. Transcript of radio broadcast: 25 September 2008
Welcome
to AMERICAN MOSAIC in VOA Special English.
(MUSIC)
I'm Doug
Johnson. This week, a special poetry show:
We hear
some songs of famous poems by France's First Lady Carla Bruni ...
Answer a
question about American poet Emily Dickinson …
And tell about Kay Ryan, who begins serving as poet laureate of the United States
this weekend.
(MUSIC)
Kay Ryan
HOST:
The
United States has a new poet laureate, Kay Ryan. She will read some of her poetry Saturday at the National Book
Festival on the Mall in Washington, D.C.
Barbara Klein tells about the poet and her work.
BARBARA KLEIN:
Kay Ryan
Kay Ryan
did not know she could be a writer until she had a brief talk with the
universe. She was on a very long
bicycle trip, from the West Coast to the East, in nineteen seventy-six. Riding
through Colorado's Rocky Mountains, a question came to her: "Can I be a
writer?" Ryan said the universe
answered, also with a question: "Do you like it?"
She said
yes, she liked it more than anything else.
A few years later, she and her friends self-published her first book of
poetry, "Dragon Acts to Dragon Ends."
Kay Ryan
generally writes short poems that have short lines. The poems look simple on
the page, and can be read simply, but they are complex in subject. They are often many things at once: funny,
sad, troubling or mysterious, frightening yet hopeful. And her poetry has a
wonderful playfulness with words. Kay Ryan says she likes to use rhyme in
unexpected ways.
The
poem, "Blandeur," is a good example.
She read it at the Library of Congress in two thousand one.
KAY RYAN:
"If it please God, let less happen. Even out Earth's rondure, flatten Eiger, blanden the Grand Canyon. Make valleys slightly higher, widen fissures to arable land, remand your terrible glaciers and silence their calving, halving or doubling all geographical features toward the mean. Unlean against our hearts. Withdraw your grandeur from these parts."
Kay Ryan
was born in nineteen forty-five in Southern California. She grew up in small valley and desert
towns. She received both her bachelor's and master's degrees in English from
the University of California, Los Angeles.
She has taught English at the College of Marin in Kentfield, California,
for more than thirty years. She lives in
Marin County with Carol Adair, her partner of thirty years.
Kay Ryan
says she believes poetry is "the most secret, the most private form of
communication in language." She says
she does not believe it will ever lose value no matter how many, or how few,
readers it has.
Kay Ryan
has advice for those who want to write poetry: Read a lot. Not necessarily poetry. Read science, philosophy, newspapers, murder
mysteries and all kinds of things. And,
she says it is good to have a love of language.
Kay Ryan
has won many poetry prizes. She has
also been compared to American poet Emily Dickinson, but dismisses the
suggestion. Some of her favorite
American poets include William Carlos Williams and Robert Frost. Her international favorites include Polish
poet Wislawa Szymborska and Portuguese poet Fernando Pessoa.
Emily
Dickinson
HOST:
Our
listener question this week comes from Yemen.
Sameer Taher Mahdi wants to know about what he calls the "strange life"
of Emily Dickinson.
Emily Dickinson
Emily Dickinson was born in
eighteen thirty in the small Massachusetts town of Amherst. She lived and died
in the same house where she was born. She received a good education. She
studied philosophy, the Latin language, and the science of plants and rocks.
Emily's parents were important people in Amherst. Many famous
visitors came to their house, and Emily met them. Her father was a well-known
lawyer who was elected to Congress for one term.
Mister Dickinson believed that
women should be educated. But he also believed a woman's one and only duty in
life was to care for her husband and children. Emily once said: "He buys me
many books, but begs me not to read them, because he fears they upset the mind.
"
Emily Dickinson wrote more than
one thousand seven hundred poems. There are three books of her letters. And
there are many books about her life.
Some of her best poems were written between eighteen fifty-eight
and eighteen sixty-two. Here is one of
them.
I live
with Him -- I see his face -- I go no
more away For
Visitor -- or Sundown -- Death's
single privacy Dreams
-- are well -- but Waking's better, If One
wake at Morn -- If One
wake at Midnight better -- Dreaming
-- of the Dawn -- This is
my letter to the World That
never wrote to me -- The
simple News that Nature told -- With
tender Majesty
Although
Emily Dickinson did not believe in organized religion, religious music of the
time influenced the form of her poetry. She also used unusual words. She once wrote that the dictionary was her
best friend. The English writer William Shakespeare, the Christian holy book
the Bible and nature also influenced her work.
Emily
Dickinson's life was strange because the older she became the more she withdrew
from the world. By her early thirties,
she had stopped socializing almost completely.
Within several years, she would not even open her door to visitors. She
rarely left her house.
Emily
Dickinson died in eighteen eighty-six at the age of fifty-five. She had made her sister Lavinia promise to
burn all her writing but, luckily for us, that did not happen.
Very few
of Emily Dickinson's poems were published when she was alive. She gained no fame until years after her
death. Her complete works were
published in nineteen fifty-five. She
is now considered one of the world's great poets.
Carla
Bruni
HOST:
Carla Bruni
We
continue our poetry theme with an album of poems put to music. Italian-born
Carla Bruni is well known for her career as a model and her recent marriage to
French President Nicolas Sarkozy. But Miz Bruni also writes and sings music.
Her second album is called "No Promises."
It is her first album in English.
The album has musical versions of eleven poems by some of the most
important English and American poets of the nineteenth and twentieth centuries.
Faith Lapidus plays three of these songs.
(MUSIC)
FAITH LAPIDUS:
That was
"Those Dancing Days Are Gone," written by the Irish poet William Butler
Yeats. It is a good example of Carla
Bruni's style. The singer says she sometimes felt guilty about repeating
sentences in Yeats' poem since the poet did not repeat them in his original
work. But she decided that Yeats would not have minded if she had sung the sung
for him.
When she
was planning this album, Carla Bruni thought she would combine songs she wrote
with musical versions of these famous poems. But she said that the poetry
reaches such a level of perfection that she only kept the poems. Here is "Lady
Weeping at the Crossroads" by the poet W. H. Auden.
(MUSIC)
To make
this album, Carla Bruni worked with her friend, British singer Marianne
Faithfull, to improve her voice and diction. Faithfull also shared her
knowledge of English and American poetry.We leave you with Carla Bruni's
version of Emily Dickinson's poem "I Felt My Life With Both My Hands."
(MUSIC)
HOST:
I'm Doug
Johnson. I hope you enjoyed our program today.
It was
written by Dana Demange and Caty Weaver who was also the producer.
Join us
again next week for AMERICAN MOSAIC, VOA's radio magazine in Special English.