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    Guardhouse Becomes Tiny Venue for Cold War Art Project

    A woman looks at an installation of keys, used in Stasi police barracks, by Sonya Schoenberger, that is installed inside Christoph Zwiener's exhibition project "ADN Guard House" in Berlin, July 11, 2014.
    A woman looks at an installation of keys, used in Stasi police barracks, by Sonya Schoenberger, that is installed inside Christoph Zwiener's exhibition project "ADN Guard House" in Berlin, July 11, 2014.
    Reuters

    A German artist has turned a tiny surveillance booth used by the communist regime in the former East Germany to monitor citizens into an art exhibit and venue, which will be installed in a museum near Los Angeles dedicated to the Cold War.

    The one-person guardhouse measuring two meters by one meter was originally located in the parking lot of state-run news agency ADN so that authorities could keep a watchful eye on reporters. Artist Christof Zwiener rescued it from demolition.

    Guardhouses were an integral part of state surveillance in East Germany (GDR), stationed not only at borders but in places where they could monitor ordinary people going about their daily lives.

    “The guard, he or she, controlled the people coming in or out but on the other hand, the people going in also watched him,” said Zwiener. “There are a lot of forgotten things in East Berlin still, but nobody cares about them anymore.”

    Berlin tourist attractions on the GDR theme include Checkpoint Charlie and the Stasi Museum and DDR Museum, both of which focus on the Stasi's sinister surveillance apparatus.

    Ten artists have showcased their work in the closet-sized booth, many focusing on surveillance which is a sensitive issue in Germany because of the way the Gestapo and Stasi spied on citizens in the Nazi and communist eras.

    The project has coincided with revelations that the U.S. National Security Agency spied on citizens and institutions in Germany, including Chancellor Angela Merkel's mobile phone.

    The exhibit by Berlin-based artist Sonya Schoenberger, which ends this month, consists of thousands of keys once used in Stasi police barracks, hanging from a vertical metal rod.

    A man looks at an installation of keys, used in Stasi police barracks, by Sonya Schoenberger, that is installed inside Christoph Zwiener's exhibition project "ADN Guard House" in Berlin, July 11, 2014.
    A man looks at an installation of keys, used in Stasi police barracks, by Sonya Schoenberger, that is installed inside Christoph Zwiener's exhibition project "ADN Guard House" in Berlin, July 11, 2014.

    “Berlin is of course a vivid place for this, memories that are found in public spaces and that carry a lot of weight for people,” said Schoenberger, adding Zwiener had found a way to make such meaningful, shared memories “visible again”.

    The booth will travel 6,000 miles (9,600 km) by ship to go on show from Sept. 26 in four locations around Los Angeles including the corner of a busy intersection, before going to its permanent home at the Wende Museum for the 25th anniversary of German reunification in November.

    “The guardhouse is about parking lots and media and LA is about two things: parking lots and media,” said Justinian Jampol, founder of the museum dedicated to the “Wende” - German for the end of the Cold War after the Berlin Wall fell in 1989.

    The museum in Culver City houses Cold War artifacts from Eastern Europe and the former Soviet Union and will move to a new location, in a former armory, on Nov. 8.

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