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Cambodia, Thailand Dancing Out of Sync


FILE - Thai student actress perform at Thai traditional “Khon” theater in Bangkok, March 22, 2016.

A compromise is one option for Thailand and Cambodia to settle a cultural battle that has flared in recent days between the neighbors, according to officials.

The Intangible Heritage Convention and relevant precedents could guide the Southeast Asian neighbors should they want to pursue such a compromise, UNESCO spokesman Noel Boivin in Bangkok told VOA on Wednesday.

The dispute inciting nationalist fervor on social media in both countries involves a classical mask dance performed in both Southeast Asian nations that each want to have listed with the U.N. Educational, Scientific and Cultural Organization as their own intangible cultural heritage.

Cambodia appears to hold an advantage because Thailand is not one of the 167 states to have ratified the Convention for the Safeguarding of the Intangible Cultural Heritage.

"Thailand hasn’t ratified the Convention yet, so the listing will not likely be happening any time soon. Cambodia, on the other hand, already had their Royal Ballet of Cambodia [which performs similar dances] ​listed in the Representative List in 2008," Duong Bich Hanh, chief of the culture unit in the UNESCO Bangkok Office told VOA.

Possible joint inscription

A compromise could be reached by the countries pursuing a joint inscription. Thai government officials are seeking to soothe the social media outrage in neighboring Cambodia and appear open to UNESCO's compromise suggestion.

Cambodia is also welcome to register the mask dance, according to Thai deputy prime minister Wissanu Kreau-ngam.

Thailand, currently governed by a military junta, plans to press ahead with its own UNESCO application, according to culture minister Weera Rojpojanarat, as UNESCO has no limit on how many countries can host similar heritage items.

Thai officials noted Cambodia, Indonesia and Thailand share claims to shadow puppetry, while Argentina and Uruguay both have listed tango on the UNESCO list. The rival Koreans share kimchi, a fermented side dish, as a registered cultural asset.

The mask dance issue

But Cambodians on social media have expressed alarm in recent days about Thailand’s plan to register the elaborate mask dance, known as Khon in Thai and Khol in Khmer [and Pra Lak Pra Ram in Lao], arguing that it is part of Khmer heritage and the Thai version is a latecomer and imitator.

Cambodia’s Culture Ministry, on social media postings, sought to calm passions saying protesting Thailand’s claim “could damage relations between the two countries.”

An image asserting Cambodian sovereignty over the dance has been shared more than 10,000 times in the past three days on Facebook.

Hun Sen involved

Even Cambodia’s prime minister, Hun Sen, has stepped into the controversy with a Facebook posting rebutting the notion that his government did not care about the matter.

The mask dance dispute “is something that will increase nationalism in Cambodia. But it's also something which, in Thailand, is an attempt to embrace the Thai heritage,” said Paul Chamber, a law faculty lecturer at Chiang Mai University in northern Thailand. “Basically we have dueling nationalism alive and well in this controversy over this dance.”

Many historians regard the Southeast Asian dance as a regional variation of the epic Ramayana tale from ancient Hindu India.

Thailand says its dance a bit different

Thailand is pushing for the Khon’s inclusion as it celebrates the completion of the sixth birth cycle (84 years) of Queen Sirikit, who is the kingdom’s patron of the mask dance.

“Thais would argue that these two dances are just a little bit different so they are not stealing from the Cambodians,” Chambers told VOA.

The Khmer empire, which peaked in the 11th to 13th centuries, dominated Southeast Asia and included much of what is modern-day Thailand.

FILE - A Buddhist monk visits the Preah Vihear temple on the border between Thailand and Cambodia, Nov. 12, 2013.
FILE - A Buddhist monk visits the Preah Vihear temple on the border between Thailand and Cambodia, Nov. 12, 2013.

Subsequent Siamese conquests had the Khmers paying tribute to Thailand until the French conquest of Indochina in the mid-19th century.

It is widely recounted that vanquished Khmer dancers were brought to the Thai royal court to perform after invasions of the Cambodian capitals (Angkor in 1431 and Phnom Penh in 1594).

In recent years Cambodia and Thailand were also at odds over the sovereignty over border land around an ancient Hindu temple, which is a UNESCO World Heritage site.

The dispute over the clifftop Preah Vihear, which led to artillery skirmishes and mobilization of military units on both sides in 2011, was settled when the International Court of Justice two years later ruled that land adjacent to the temple belonged to Cambodia and that Thai security forces should stay out of the area.

Preah Vihear Temple in Cambodia
Preah Vihear Temple in Cambodia